JodyJazz JodyJazz DV HR – Alto Sax Mouthpiece

THE DV GOES HARD RUBBER!

Introducing the DV HR alto mouthpiece—JodyJazz’s latest sensation! Experience the same captivating sound that made the metal DV line iconic, now meticulously crafted in hard rubber for a deep and resonant undertone. Renowned for its free-blowing tone and unique secondary window, the DV HR maintains these qualities while adding even more warmth compared to its metal counterpart.

Designed with the golden mean proportions found in nature, the patented ‘secondary window’ enhances resonance and optimal response. The facing curve proportions follow the same principle. The DV HR also features a gold-plated brass ring on the shank for increased stability, body in the sound, and harmonics.

For the first time, the DV HR incorporates JodyJazz’s newest bite plate technology, with a beautiful gold ‘Phi’ symbol logo embedded in the beak. While both functional and striking, a mouthpiece cushion is recommended for player comfort and bite plate longevity. Elevate your playing with the DV HR Alto—a harmonious blend of tradition and innovation.

Features

• Material: Ebonite

• Made In: USA

• Chamber: Large

• Baffle: Rollover

• Ligature: Not included

• Recommended for: Jazz, Pop, Soul, R&B, Funk

Staff Review

A few days ago I was in the company of Jody Espina whilst he delivered a workshop to a group of aspiring sax players and I noticed that he was playing his new DV HR alto piece.  I didn’t realise for a few hours that this was his choice of gear and I just assumed it was one of his previous HR options due to the all-round nature of his sound.  But of course, the sound that he actually delivered did everything – it had body, depth, layers and it could shout and pop when directed.

Having now tried it myself, I could experience all this first-hand.  When you play it you can heavily relate the sound to that of the DV metal, but equally it feels like something else; there’s a kind of texture and earthiness that you can draw out, which can turn to pure razz when you absolutely push it.  And even when doing so, the central core of the mouthpiece remains true.  And I think it’s worth reminding people of the fundamental point here –  that this mouthpiece gives the alto player who is used to/doesn’t want to shift from the standard feel of hard rubber proportions, a way to experience the excitement of the DV.  This is great thinking on the part of Jody Espina.

Jim Cheek